I was interested in the analysis by Frontiers on the lack of a correlation between the rejection rate of a journal and the “impact” (as measured by the JIF). There’s a nice follow here at Science Open. The Times Higher Education Supplement also reported on this with the line that “mass rejection of research papers by selective journals in a bid to achieve a high impact factor is an enormous waste of academics’ time”.
This plot is taken from the post by Jon Tennant at Science Open.
As others have pointed out:
- The rejection rate is dominated by desk rejects, which although very annoying, don’t take that much time.
- Without knowing the journal name it is difficult to know what to make of the plot.
The data are available from Figshare and – thanks to Thomson-Reuters habit of reporting JIF to 3 d.p. – we can easily pull the journal titles from a list using JIF as a key. The list is here. Note that there may be errors due to this quick-and-dirty method.
The list takes on a different meaning when you can see the Journal titles alongside the numbers for rejection rate and JIF.
Looking for familiar journals – whichever field you are in – you will be disappointed. There’s an awful lot of noise in there. By this, I mean journals that are outside of your field.
This is the problem with this analysis as I see it. It is difficult to compare Nature Neuroscience with Mineralium Deposita…
My plan with this dataset was to replot rejection rate versus JIF2014 for a few different journal categories, but I don’t think there’s enough data to do this and make a convincing case one way or the other. So, I think the jury is still out on this question.
It would be interesting to do this analysis on a bigger dataset. Journals releasing their numbers on rejection rates would be a step forward to doing this.
One final note:
The Orthopedic Clinics of North America is a tough journal. Accepts only 2 papers in every 100 for an impact factor of 1!
The post title is from “Throes of Rejection” by Pantera from their Far Beyond Driven LP. I rejected the title “Satan Has Rejected my Soul” by Morrissey for obvious reasons.